The Blood of Flowers by Anita Amirrezvani

Sumptuous imagery and a modern sensibility (despite a preponderance of flowery language and schematic female bonding and male bullying) make this a winning debut. With journalistic clarity, Amirrezvani describes how to make a carpet knot by knot, and then sell it negotiation by negotiation, guiding readers through workshops and bazaars. Teetering on poverty and shame, the girl weaves fantasies for her temporary husband's pleasure and exchanges tales with her beleaguered mother until, having mastered the art of making and selling carpets under her uncle's tutelage, she undertakes to free her mother and herself. The only marriage proposal now in the offing is a three-month renewable contract with the son of a horse trader. Her fascination with rug making is a pastime they indulge only for the interim, but her father's untimely death prompts the girl to travel with her mother to the city of Isfahan, where the two live as servants in the opulent home of an uncle-a wealthy rug maker to the Shah. Forced into a secret marriage to a wealthy man, the young woman is faced with a daunting decision: forsake her own dignity, or risk everything she has in an effort to create a new life. On the sudden death of her father, our heroine and her mother fall upon hard times and are forced to travel to the bustling city of Isfahan where relatives take them in. In Iranian-American Amirrezvani's lushly orchestrated debut, a comet signals misfortune to the remote 17th-century Persian village where the nameless narrator lives modestly but happily with her parents, both of whom expect to see the 14-year-old married within the year. In 17th-century Persia, a young woman and her mother find themselves alone and without a dowry. Set in seventeenth-century Iran, The Blood of Flowers is the powerful and haunting story of a young girls journey from innocence to adulthood.

The Blood of Flowers by Anita Amirrezvani